The End of the The Tell
July 31, 2010 by Kivus · Leave a Comment
Last night was the last performance of local Chapel Hill band The Tell. Though the band got together in the middle of 2005, I only started going to their shows in the past coupe of years (when I started being in classes with the drummer). I admit that when I first heard them (via a CD from said class member) I wasn’t exactly pumped to see them live. I decided I’d be a good classmate and support them anyway. Over the past few years, I’ve changed my opinion on them, and a few of their songs now reside comfortably in some of the playlists on my iPhone.
Regardless of my initial opinion about their musical style, I won’t offer anything but praise for their talent. From lead singer to drummer to keyboardist to the guys on the guitar, these guys can flat out play. The Chapel Hill music scene will be worse off with The Tell no longer playing.
Normally these Snapshot posts only feature one image, but I’m making an exception this time. This photo comes from the last song of the night, the last song for The Tell:
Night and Day
July 30, 2010 by Kivus · Leave a Comment
With Brier Creek golf course closed, I had a few ideas for shots that I wanted to take in different parts of the course. I ended up running into a couple of problems though, including some storm clouds blocking the sun and me bumping up against the technological limitations of my Nikon P6000. So what am I to do with a bunch of shots taken for HDRs that don’t quite come together correctly? I decided to try tand do some “concept” images. This one is an experiment where I tried to get both the silhouette of the trees, in almost pure black, against the clouds in the sky, while keeping the green and the sand traps lit. In other words, I wanted to see if I could get the picture to look like I actually lit the green at dusk.
I’m not quite sure I managed to get that look without the picture looking too over proceed, but it was a good experiment for working with Photomatix, Aperture sliders (black point especially), and Aperture brushes (especially a shadows adjustment). Even if this image isn’t something that I’ll put in my portfolio, I hope the skills I used to create it help me become a better photographer.
A New HDR Contender? Nik Software’s HDR Efex Pro
July 29, 2010 by Kivus · Leave a Comment
This HDR image comes from Nik Software's HDR Sneak Peak. Image rights are retained by the original copyright holder.
UPDATE: The Nik Software FOCUS Newsletter for October says the release date for HDR Efex Pro will be October 11.
UPDATE: Details about Nik Software’s HDR Efex Pro have been released, including a slightly more targeted release date (October 2010) and a price point ($159). The site mentions that if you purchased the Nik Complete Collection in July 2010 or later, you get the HDR product for free. The site does not mention that if you purchased the complete collection before July 2010, you can get HDR Efex Pro for $99 if you pre-order (I confirmed this when I made my purchase of the software). Additionally, they created an announcement video which is embedded at the end of this post.
UPDATE: Rick Sammon was recently on an episode of Nik Radio talking about Nik’s HDR Efex Pro. I’ve put in a few notes from his appearance.
Today I attended a Nik Software webinar on their upcoming HDR product. There is currently no official news as to what the HDR product is going to be called, but the title bar did say HDR Efex Pro (which would make sense as it would fit in well with their other products like Color Efex Pro and Silver Efex Pro) [UPDATE: Rick Sammon referred to the product as HDR Efex Pro in his interview]. The instructor was using the Lightroom version of the plugin, but mentioned that it would be available for Photoshop and Aperture as well (he also mentioned that the plugins would be in 64-bit.) There was a question about a “stand alone” version like Photomatix offers, but the instructor seemed to think that was not in the works. I have not used Lightroom to any large degree, but it looked like the process for opening the plugin is very similar to the process I use for creating a HDR with Photomatix from within Aperture (namely, just select the group of images you want to use and then select the plugin). The instructor was unable to answer a question about how the interface for selecting images would work in Photoshop, but speculated it would probably be under the “automate” menu (much like Adobe’s HDR Pro is). You can also use the plugin on a single RAW file (the examples of this turned out quite well).
The HDR Efex interface looks like a “best of” from Silver Efex Pro and Viveza 2. There are the presets from Silver Efex on the left side and then a control point / slider interface on the right that looks very much like Viveza 2. Of particular note are two sliders: (1) structure, which is something that is creeping into all NIk products and that I frequently used in Silver Efex Pro (it’s also available in Viveza 2); (2) warmth, which I specifically asked about and the instructor demonstrated (it provides an effect very similar to the “Brilliance and Warmth” filter found in Color Efex Pro; the instructor did not know off hand if the algorithms are the same, but he demonstrated the effect and it looked very similar). HDR Efex also includes some advanced vignetting controls (including some vignetting presets) and Nik’s familiar “Control Points” interface, that provides the ability to make very targeted adjustments without the use of masking (Anyone who’s used any of Nik’s products, especially Viveza 2, knows how powerful these are).
This is the HDR Efex interface that was used during the webinar. As with any piece of software that hasn't been released yet, there is still a chance this interface could change.
The initial preset that was applied to the first image was very much a “realistic” HDR. In fact, the image looked just like a well exposed, well lit, standard image. There were a number of presets that the instructor previewed, some of them looking better than others The “subtle HDR” preset looked very similar to the Trey Ratcliff inspired style of HDR that I frequently used. [UPDATE: Rick mentioned how both realistic and surrealistic HDR images are easy to create with HDR Efex Pro] Additionally, there was a black and white preset (I’m not sure if it would be better to create the HDR image in color and then take the image into Silver Efex Pro for black and white conversion, but I have a feeling that I would use that workflow) and then a “vintage” preset that created a really interesting effect that combined both HDR and a faded, desaturated look. The instructor mentioned that the plugin would have “anti-ghosting” functionality (pretty much a “must have” feature now), but did not give any demonstrations of it. [UPDATE: Rick mentioned that the anti-ghosting in HDR Efex Pro is very strong. He mentioned that you can take out the ghosting "quickly" and "easily". Additionally, he said the alignment features of HDR Efex Pro were good.]
The biggest question of the webinar was, as expected: What is the release date? Apparently the company line on this is “late summer” (I’ve heard it from 3 Nik represenatives). The version of the software being used by the instructor was listed as “Alpha 2”, and there were a few performance hiccups present, so it seems likely that there is a bit of work left before it’s released to the public. Also, there was no information available on the pricing of the software.
Ultimately, the webinar left me really excited to try out the software. The early rumors I heard were that the software was going to be really geared to “realistic” HDR images instead of “surrealistic” ones, however, the instructor demonstrated that the software could be used to create images of both styles. Out of the HDR programs I’ve used, Photomatix is still my clear favorite, however, HDR Efex Pro looks like it could be a strong contender. For me, it will probably all come down to how it handles lights at dusk…
An example HDR image, processed with Photomatix, to show how nicely it handles lights.
UPDATE: Nik’s HDR Efex Pro announcement video, featuring Trey Ratcliff
Going off One
July 27, 2010 by Kivus · Leave a Comment
I arrived at Brier Creek yesterday, figuring I’d take a light walk just to get out of the house for a bit. I went past the first hole and saw a sign that said “Course Closed”. Man, if I had known that, I would have showed up much, much earlier in order to photograph some things. Sadly, I got there pretty much right at sundown and only got a few shots. This is from the first tee.
Walking by the Wall
July 25, 2010 by Kivus · Leave a Comment
Yesterday was the 3rd Annual Scott Kelby’s Worldwide Photowalk. I attended the walk in Cary, NC, an area that I was not at all familiar with. I’m not sure if I got any one picture that really blows me away, but I got a bunch that I do really like. I’m sure I’ll be posting some in the next few days, along with my final submission for the contest associated with the photowalk and a general write-up about the walk itself. Quick Summary: It was a really, really good time. The photo here is from one of the many painted walls around Cary.
Mad Love
July 21, 2010 by Kivus · Leave a Comment
If you followed any of my HeroesCon Coverage and Images you know that a number of my convention sketches were of Harley Quinn. She has, for quite some time, been my favorite comics character (even if she debuted on the stellar Batman: The Animated Series instead of the comics. Her origin episode, which was also made into a book, is called “Mad Love”, hence the title of this post). This particular image came from the other day when Aperture was running particularly slowly; I was bored and had my camera in my hand. Since Colleen Coover’s black and white sketch of Harley came out so awesome, I figured I’d make my picture the same (and by the same, I mean B&W, not necessarily awesome)..
Oh, and Adam Hughes’ Harley Quinn statute comes out in September…which happens to be the month my birthday is in. I’m just saying…
Back!
July 20, 2010 by Kivus · Leave a Comment
Years of a playing baseball ingrained in me that whenever a pitcher turns to throw to first, everyone on the team should yell “Back!”. Only every often do I end up doing that at a real baseball game.
Shooting sports is one of those times I really feel the limitations of shooting with a little Nikon P6000. It means that if I want to capture a moment, I have to deal with the picture being less than perfect technically, even after I do some touch-up work. I think it’s [Rick Sammon[(http://www.ricksammon) who really pushes the idea of “do you want to get a blurry picture or a picture with noise”. In my case, I decided I’d deal with the noise and try for a little less blur.
Surveying some HDR Programs and Some HDR Education
July 17, 2010 by Kivus · Leave a Comment
UPDATE: Trey Ratcliff has updated the eBook I review below. This review will be updated to reflect those latest updates once I go through the new content.
As some of my recent work would indicate, I have been experimenting, to a fairly large degree, with HDR photography. The primary thing I’ve been experimenting with is the different programs that can be used for creating HDR images. I have been using Photomatix Pro since I first started my HDR work, and am generally pleased with the results. I have, however, also been exploring some of the other alternatives. The main other program I’ve used to this point is the new HDR Pro in Adobe Photoshop CS5. Though I liked the anti-ghosting feature in CS5, I found that the way lights are processed in surrealist HDR images does not look as good as the way lights look in Photomatix. Additionally, the new beta of Photomatix 4 that I’ve been using has anti-ghosting features that seem even better than those found in CS5. Though I could go into more technical detail about the differences between the HDR products, I’ll instead point to Trey Ratcliff’s write-up on the topic.
Along with Photomatix and Photoshop, I have done a little bit of experimenting with the new HDR Expose from Unified Color. I had never used Unified Color’s previous HDR products, so their interface was a little alien to me when I first started using it. I found that for “realistic” style HDR images, that the software was quite good. and quite powerful. Unfortunately, I found it difficult to create the surreal looking HDR images that I like to make. I am not sure if this was a limitation of the software or simply a side effect of my unfamiliarity with Unified Color’s interface.
In addition to the HDR products that are currently out, NIk Software has announced their own HDR offering. I apparently missed the webinar that was debuting the software, but there is a short “sneak peak” video on Youtube that gives a very brief explanation of the software. Since I use all of Nik’s products already, I have high expectations for their HDR product. Scott Bourne recently did a write up about his experience viewing the software. The main pull from the write-up for me is that the software “has a bias toward more natural-looking HDR shots.” I do not know what this means for people who want to create surreal-style images. Since Scott made a point to comment on the speed of the software, it makes me wonder whether the end of July release date rumors I’ve been hearing are a little optimistic.
Though new software offerings are one of the primary ways the HDR photography space is evolving, I have also been exploring ways to get a little more HDR related education. Since the starting point for HDR education is Trey Ratcliff’s HDR Tutorial, I decided to try out his latest eBook offering: Top Ten HDR Mistakes. [NOTE: This eBook was recently updated. This review still applies to the original version of the book, however, a new review of the bonus version will be posted shortly ]As you can imagine, the book is filled with some great HDR images to compliment the instruction. Unfortunately, I am a little less excited about the instruction offered by the book. A lot of the solutions that Trey offers seem to indirectly point you back to the HDR tutorial. Maybe I was expecting some kind of “silver bullet” that doesn’t actually exist, but I was hoping for more concrete steps on how to fix some of these HDR problems. Ultimately, the book only costs $10, so it’s not a huge investment, but as a student who pays close attention to how much money I’m spending, I think I would have felt more comfortable paying $6 for the content I received with this book. If I think to myself that I paid $5 for the book, and made $5 as a donation to Trey for all the work that he’s done to help me learn HDR, then I am a little more okay with the amount I spent on the book. Overall, I’d recommend this book is you’re an advanced beginner to intermediate HDR photographer who is a particularly large fan of Trey’s work.
I Saw Ramona on Franklin Street (Well, Kind Of….)
July 16, 2010 by Kivus · Leave a Comment
As I was walking down Franklin Street last night, I saw what looked like a particular blue-haired girl a little further down the street (okay, a chalkboard drawing of a blue-haired girl…work with me here). I turned to Elyssa and, with probably a little too much excitement, said “That’s Ramona…Ramona from Scott Pilgrim”. “Ahh..yeah, that is a comic book store” she replied. She asked me if I wanted to go into the store. “But I’ll feel like I’m cheating on my comic book store” I said, and then went in anyway. The store was quite different from Ultimate Comics, where I normally do my comics shopping; it seemed like this store’s focus was much more on graphic novels than individual issues. There was one thing I did notice as I was looking at their comic wall and observing their staff picks: “Alicia” (whoever that is) really knows good comics.
Come on In, The Water’s Fine
July 15, 2010 by Kivus · Leave a Comment
Rick Sammon talks about how sometimes his years of instruction keep him from being completely out of the box when taking a picture. He’ll tell stories of people who will shoot holding the camera by their ankles or backwards over their heads. When I was out shooting with my buddy Eric the other day, we were walking by a lake that was blocked by some fairly high bushes. I thought there had to be a shot out to had in this situation. I put my camera on my tripod, set the timer, and held it over my head. The first two or three shots came out terrible. Thankfully, the third one came our pretty well.
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